1. Plays: 59

    The Clock | Thom Yorke

    This song has just always made me think of Ireneo for some reason.

     
  2. Plays: 70

    One For The Witches | The World/Inferno Friendship Society

     
  3. regarding Le Sacre du printemps, a diatribe by Emily

    So, The Rite of Spring. As beloved reader and friend of the blog saint-salvage cracked while reading and listening, “ARE YOU GUYS TRYING TO START A RIOT?” This piece is famous in some circles for having caused a riot (or at least some severe uproar) during its premiere concert (you can read about that exciting bit of trivia here), and indeed, it was a very strange and difficult piece at the time, quite distinct from what was mostly happening in classical music, and it was not entirely to the taste of everyone. Don’t quote me on this, but I believe Stravinsky later asserted he wished he had actually made it even crazier, because people had grown to like it and think it beautiful, when that wasn’t entirely his intention.

    Now, UNFORTUNATELY, most of our generation strongly associates this piece with dinosaurs. It’s not like I don’t have my own lasting love of Fantasia - believe me, I do! - but let’s get a few things straight. Disney took a masterwork about virgin sacrifice and made it into a weird romp about primordial soup and incredibly inaccurate dinosaurs. Which is all fine if you’re five years old and need a reason to get into Stravinsky. Then you learn about the whole lawsuit thing, where like, Disney didn’t really have permission to distribute it… and then, eventually, much later, you hear an actually GOOD version of it, a good version with good tempos and no bits missing and proper, well, everything, and you realize holy shit this is one of the greatest existing pieces of music. Well. If you’re me, that’s what happens. I have a lot of feelings about Stravinsky

    The point is, if you only associate this piece with dinosaurs, we advocate finding some good reassociations. Dinosaurs are great! We love Fantasia! But this piece is totally baller and if you have the taste for it then it deserves your attention. This is why we chose to use it, even though it has such hugely powerful cultural associations already. We did a little research and found that yes it would technically be possible for Caligari (who, duh, has MAGIC and stuff) to obtain a copy of the Rite of Spring recording at this time, although it would be very unlikely that anyone in Germany who was not an avid concertgoer would have heard it at this time. Which is why neither Doctorow nor Herr Inspektor recognize it, and why they kind of don’t like it at all. Because that shit was WEIRD! Also they were kind of busy trying to save their friend from crazy monster people but that’s another story.

    This is perhaps not a very coherent post, but I had to say something about it, anyway.

     
  4. Plays: 19

    Ute Lemper | Peter, Peter, Komm Zu Mir Zurück (Peter, Peter, Come Back To Me)

    I don’t remember when we found this song, whether it was before or after deciding on a name for Peter, and as far as I can tell the lyrics don’t really match up to H.I.’s situation. But the title and the tone was way too good to pass up, obvs. Enjoy some moody period Berlin pop.

     
  5. Day 19: Writing Playlist

    We don’t strictly have a set playlist that we listen to while working on this. We listen to pretty much whatever we’re in the mood for at any given moment, so. What we do have is a list of songs that apply to different aspects of the story, which we’re gradually posting here, providing we can remember. We totally forgot to post the last few. We think these choices over very carefully, and the connections may not be obvious, but no selection is arbitrary.

    Here is the MASSIVE LIST so far, linked to original associated post:

    Que Sera | Wax Tailor - atmospheric prologue
    Haunted German Wood | Gutenberg! The Musical - unabashed nonsense only barely related
    Mack the Knife | Lotte Lenya - fun fact: Lotte Lenya has an unnamed cameo appearance in Chapter 11
    Analyse | Thom Yorke - these lyrics are 100% Herr Inspektor
    Gretchen Am Spinnrade, D.118 | Franz Schubert - there is some suggestion that Herr Inspektor is a Goethe fan; on top of that, the words reflect his emotional state pretty well, and Rune also references the poem/song directly in Quoth the Raven
    Jade Dragon | Robert J! Lake (from Homestuck album The Felt) - if we could choreograph Herr  Chapter 11 nightmare to music, it would be this
    Only Dreaming | Jack Conte - another dream-related one
    Peter Lorre Overture | The World/Inferno Friendship Society - in honor of Peter Lorre’s Chapter 11 cameo
    No Pity | Wax Tailor - certain elements of this song are extremely Herr Inspektory
    Tiergarten | Rufus Wainwright - for Klaus and Judith’s Tiergarten date
    This Unrest | Siouxsie & the Banshees - the waiting game, Chapter 18
    if nobody moves nobody will get hurt (the extinction) | The Paper Chase - Chapter 19/20
    Transcendental Etude No. 8 (Wilde Jagd) | Franz Liszt - Chapter 20
    Angel | Massive Attack - theme for Jemand
    Invaders Must Die | The Prodigy - Jemand v. Rainer
    Impression | Jack Conte - this song could relate pretty well to Herr Inspektor, but we posted it specifically in reference to The Man In Gray
    I Wanna Be Your Dog | The Stooges - another one for The Man In Gray
    The Wolf | Fever Ray (from Red Riding Hood) - The Man In Gray has a lot of songs
    Wolf Suite Pt. 1 | Danny Elfman (from The Wolfman) - I guess there are just a lot of songs about wolves?
    Seven Devils | Florence + The Machine - general atmospheric
    (Nice Dream) | Radiohead - more bad dreams for Herr Inspektor
    We Know Where You Sleep | The Paper Chase - specifically for the really creepy nightmare from Chapter 27
    Kelling | Valravn - theme for Rune
    Wenn die beste Freundin | Marlene Dietrich & Margo Lion - what Klein listens to in Klein ohne Ritter
    Hayling | FC Kahuna - Chapter 34
    Die By The Drop | The Dead Weather - Lorelei
    Night Of The Lotus Eaters | Nick Cave & The Bad Seeds - Chapter 35

    And here are three that we should have posted after Wie Oben, So Unten, but forgot. Whoops. They are all themes for Maria.

    O Maria | Beck
    Strict Machine | Goldfrapp
    Machine Says Yes | FC Kahuna

     
  6. Plays: 10

    Nick Cave & The Bad Seeds | Night of the Lotus Eaters

    This song’s atmosphere is more or less what Rainer and Maria are going for at all times.

     
  7. Plays: 20

    Die By The Drop | The Dead Weather

    This song (which is killer, by the way, and if you aren’t familiar with this Jack White/Alison Mosshart supergroup GET ON THAT) is more or less how I envision Lorelei post-death. Oh she is mean and she is angry. Don’t mess with her.

     
  8. Plays: 81

    Hayling | FC Kahuna

    This song really reminds me of the big event from Chapter 34. For a few reasons.

    (read Berlin Confidential)

     
  9. Plays: 0

    Marlene Dietrich & Margo Lion // Wenn die beste Freundin

    Recorded in 1928, for the show Es Liegt in der Luft.

     
  10. Plays: 165

    Valravn // Kelling

    Valravn is a Faroese band we discovered quite by accident while researching the mythological figure of the Valravn. This song doesn’t actually have anything to do with the myth itself, but who cares? It’s awesome.